Cut from a single block of aluminium, the surprisingly heavy little Orb now comes in two versions: anodised aluminium and a new, powder-coated red. Bulb included. Made in Italy.
Dimensions: 11 x 6 x 13 cm / 4,3 x 2,4 x 5,1”
Weight: 600 g
Materials: Aluminium, lighting assembly, glass, PVC cord with an inline switch.
Cable length: 1,5 m
Light source: G9 LED (included)
Colour temperature: 2700K
Lumen: 200 lm
Voltage: 240V / 120V
For EU-based companies ordering with a valid VAT number, please get in touch with us directly for sales excluding VAT.
Shipping will take place once the production batch is fulfilled (1-4 weeks). Shipping costs will be calculated at checkout. The price excludes 19% VAT.
A small, tidy table lamp with a mild glow, the Douli is made of stainless steel with a white, translucent cotton shade. Bulb included. Made in Italy.
Dimensions: 32 x 32 x 27 cm / 12,6 x 12,6 x 10,6”
Materials: Stainless steel, lighting assembly, fabric shade, black cord with an inline switch.
Cable length: 1,8 m
Light source: G9 LED (included)
Colour temperature: 2700K
Lumen: 230 lm
Voltage: 240V / 120V
For EU-based companies ordering with a valid VAT number, please get in touch with us directly for sales excluding VAT.
The lamp will be shipped once the production batch is fulfilled (1-4 weeks). Shipping costs will be calculated at checkout. The price excludes 19% VAT.
A reinterpretation of the Joseph Beuys lamp design of 1960, the Flagpole Lamp is a study in functional simplicity. The lamp can be taken completely apart for transportation and shipping.
Dimensions:
W35 x D42 x H178 cm (≈ W13,8 x D16,5 x H70”)
Materials:
Stainless steel, lighting assembly
Socket Type: E27/E26
Voltage: 240V/120V
Cable Length: 4 m
For EU-based companies ordering with a valid VAT number, please contact us directly for sales excluding VAT.
Made to order in 2-4 weeks. Shipping costs will be calculated at checkout.
The Calypso Light puts a solar eclipse at your disposal: a red or white disc mounted on a skinny stainless stand, with a hidden E27 light source casting a warm glow onto the wall behind it. The circular shade is powder-coated. The red shade is matte while the white is high gloss.
Materials:
Stainless steel, paint, lighting assembly
Socket Type: E27/E26
Voltage: 240V/120V
Cable Length: 4 m
Dimensions:
W35 x D48 x H188 cm (≈ W13,8 x D19 x H74”)
Made to order in 4-6 weeks. Ships worldwide.
Enquire here.
2025/2026
A custom stainless steel library developed by Studio Frederik Fialin with Studio MBM for the Chelsea, NYC home of shoe designer Brian Atwood and Dr. Jake Deutsch.
Conceived around Atwood’s extensive collection of fashion books, the library occupies the study as a continuous shelving structure. Its cascading arrangement follows the room’s angular geometry, wrapping around the walls and extending across the large window. The collection becomes part of the room’s architecture, surrounding the workspace and creating a room within a room.
Set against black lacquered walls and ceiling, the stainless steel shelves establish a rhythm of horizontal planes. Books fill the structure with colour and texture, while the open shelving across the glazing brings the collection into the foreground of the city view. The library gives the study a distinct spatial identity, serving as both a working environment and a home for the collection.
Completed: 2026
Building architecture: Bjarke Ingels Group (BIG)
Interior architecture and design: Studio MBM
Library system: Studio Frederik Fialin with Studio MBM
Photography: Douglas Friedman
Click here to see the full feature in Architectural Digest.
Enquire here.
2022-2025
Developed through a close, long-term collaboration with founder Philipp Ramhofer, Studio Frederik Fialin designed and produced a collection of bespoke furniture and a wall sculpture for BWGTBLD’s headquarters in Berlin. The project includes the Manta Manta conference table, a reception desk, a “Flower Table” lounge table, several large tables in brushed aluminium and stainless steel, padauk benches with stainless steel inlays as well as a special edition of the Elephant Table with a baby/dusty blue top in polyethylene.
Set within a historic building by Alfred Messel in Berlin-Mitte, the furniture sits among works from Ramhofer’s personal art collection. The headquarters serves as both a working office and a gallery, periodically welcoming the public.
Client: BWGTBLD
Furniture design and production: Studio Frederik Fialin
Original architecture: Alfred Messel
Photography: Robert Rieger
Featured in: Wallpaper*
Click here to see the full feature in Wallpaper*
Enquire here.
“Zucker”
2025
I had the pleasure of participating in the solo show of Felix Kiessling, “Zucker”, which opened on Friday, 13 June 2025, at Alexander Levy (Berlin), where we collaborated on three pieces: Sitzgelegenheit V, Mono Bench, and a small, round, complementary table.
From the press release, it reads:
“The final work, Sitzgelegenheiten (2025) and Mono Bench (2025), a collaboration with furniture designer Frederik Fialin, consists of two sculptural chairs that the visitor is invited to sit on. One is partly a found object and a reimagining of 1960s Berlin public concrete benches. The other is based on the same logic of utility, reproducibility, and durability, but translated into a new material realm.
The raw aluminium contact surfaces react over time to visitors’ use, amplifying the exhibition’s focus on bodily presence, physical traces, and the interplay between beings and material.” (Daniela Hochmann Labra, 2025)
For the Mono Bench, we measured and scanned the found public concrete bench used for Sitzgelegenheit V and created a laser-cut 8 mm aluminium version of it, almost a flat 2-D version. This means that the fundamental ergonomics of the new and old are almost exactly the same, but the feel, structure, form, and material are vastly different.
Inspired by the utilitarian, original brackets, we devised a simple joining system of aluminium bars attaching the seat and backrest to this laser-cut profile. We reinterpreted the original concept of the public bench in a contemporary context, both in terms of its message and material. The Mono Bench can be used by one or two persons if they feel adventurous. It is smaller than a bench, but larger than a chair.
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THE CALYPSO LIGHT PROJECT
2024
The tension arising between the fleeting whisper of creativity and the tangible embrace of the matter is like a dance. More precisely, a calypso: enigmatic and entrancing.
The Calypso Light by Danish designer Frederik Fialin sheds its skin to be re-clad in the leather of the Italian brand. The leather turns into a lampshade, laying an invitation to celebrate the tension between the ephemeral and the tangible, to first touch, and then caress, the softness of the material. Like in a dance, ever so intimate. The footwear is elevated into something else: light and an installation of life.
A synergy, strongly desired by Fialin and Marsèll, that marks a new instalment – after those with Soft Baroque, Gonzalez Haase, and Matylda Krzykowski – in which the footwear brand explores and celebrates the crossovers between fashion and design.
“A year after the opening of our first flagship store, we are excited to embark on a collaborative project with talented Danish designer Frederik Fialin to highlight the genuine connection between the identity of our footwear and accessories brand and a designer whose vision aligns closely with our creations and the international movement surrounding radical design,” says Marco Cima, creative director and founder of Marsèll.
Marsèll has always honoured the dedication and sincerity that every professional brings to their craft, believing that through knowledge and collaboration, something truly unique with authentic value can be achieved.”
The Calypso Light, originally showcased earlier this year as part of the exhibition “Everyday Exquisite” during the Berlin Art Week, is for the occasion revisited in an exclusive collaboration with Marsèll. The brand’s leather is used for the lampshade, achieving a matte effect reminiscent of that of paint. The softness of the leather recalls the research on materials that unite both entities. A process of simplification, in which the purity of the lines tells the story of a formal rigour that pursues the essential without ever compromising creativity. For the occasion, Marsèll and Frederik Fialin will be showing three leather-clad Calypso Light floor lamps and two special oversized versions suspended in the store.
As Fialin explains: “Elevating the material to eye level offers a new perspective on leather, which, while commonly found in footwear, is less frequently experienced in this context. The use of leather is also completely new to Studio Frederik Fialin and is seen as a very welcome challenge.”
Enquire here.